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Review: ‘DASHCAM’ is a found footage horror much easier to like than its protagonist
May 30, 2022 -
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Review: ‘Top Gun: Maverick’ is here to save cinema
May 21, 2022 -
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Review: ‘Everything Everywhere All At Once’ gives the multiverse a beating heart
May 10, 2022 -
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Review: ‘Slapface’ is a creature feature that haunts for entirely different reasons
May 9, 2022 -
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Review: ‘Doctor Strange in the Multiverse of Madness’ is the MCU at its most ambitiously imperfect
May 5, 2022 -
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Review: ‘Inbetween Girl’ handles teenage girlhood with empathy and honesty
May 1, 2022 -
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Review: ‘The Twin’ blends the eerie with the emotional to chilling effect
May 1, 2022 -
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Review: ‘Dual’ is a melodrama held together by Karen Gillian on powerhouse form
May 1, 2022 -
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Review: ‘Pompo the Cinephile’ is an anime ode to Hollywood
April 26, 2022 -
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Review: ‘The Cellar’ is a slow burn that mostly pays off
April 22, 2022 -
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Review: ‘Choose or Die,’ challenging its audience, isn’t just another indie horror film
April 22, 2022 -
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Review: ‘The Unbearable Weight of Massive Talent’ spectacularly smashes the fourth wall
April 19, 2022
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Review: ‘The Northman’ proves worthy of Valhalla in blistering fashion
April 17, 2022 -
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Review: ‘Pirates’ marks the emergence of an intriguing writer-director
April 8, 2022 -
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SXSW Film Review: ‘Women Do Cry’ proves to be a hard hitting drama not for the faint hearted
April 8, 2022 -
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Review: ‘Fantastic Beasts: The Secrets of Dumbledore’ is a minor victory for the flagging franchise
April 8, 2022 -
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SXSW Film Review: ‘Pretty Problems’ just misses the mark when it comes to social satire
April 5, 2022 -
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Review: ‘The Bubble’ is an overlong, self-indulgent slog
April 1, 2022 -
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Review: Much like its bloodthirsty hero, ‘Morbius’ loses the battle against sucking
March 31, 2022 -
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SXSW Film Review: ‘The Blind Man Who Did Not Want to See Titanic’ is a rom-com game changer
March 29, 2022 -
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Review: ‘Ambulance’ takes Michael Bay back to basics for his best movie in years
March 26, 2022 -
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SXSW Review: ‘To Leslie’ embraces the stark realities of addiction
March 25, 2022 -
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SXSW Review: ‘It Is In Us All’ is a harrowing look at loss from the outside
March 25, 2022 -
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SXSW Film Review: ‘The Unknown Country’ proves to be a road trip to remember
March 24, 2022
